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We’re launching a collection of articles on the topic, written by our summary artists and other qualified contributors. They’ll discuss their own interpretation of Abstraction, their imaginative and prescient and why they favour it. Look out for ‘What is Abstraction: A journey to Antartica’, by Pierre Auville coming quickly. Within the meantime, here’s our introductory characteristic. Abstraction isn’t a method or motion; it will probably exist in all art to a sure diploma. Various dictionaries define Abstraction as ‘freedom from representational qualities in art’ and ‘not representing issues pictorially’. The Tate describes it as when an artist has both ‘removed (abstracted) components from an object to create a extra simplified form’ or produced one thing which ‘has no source in any respect in external reality’. While an artist might have an actual object in thoughts when painting, that object might be stylised, distorted or exaggerated utilizing colours and textures to speak a feeling, rather than produce a replica. It’s more about how the beauty of shapes and colour can override representational accuracy.

Speak and interact with Sharon Mundy Original Abstract Art artists. You possibly can often discover summary artists in collective studios or at their artwork exhibits. Take the time to respectfully converse to an artist, especially when you don’t understand their work. Talking to the artist and getting their perspective might give you a deeper understanding and appreciation of their work.

I want my work to be shocking, playful and provocative. Some of my paintings are doors, others home windows. They are all portals. "For me ‘abstraction’ is just not an art motion, a moment in art history or a mode of painting. It is an important integral connector to the vitality of painting. What's extraordinary for me is that as I exit past what I know—past the place I am controlling what I do—to discover coherency and kind. "I need to express a sure feeling and emotion by creating an entire setting for the viewer to walk into or observe from afar. I take advantage of supplies in a direct and simple method, not transforming or altering them tremendously from their natural state. "When I am engaged in artwork making I am fully caught up in the medium and instruments and mission. I’ve learned to not suppose concerning the product that I'll find yourself with as a result of the time spent engaged within the artistic activity is what is most vital to me. "Abstraction, like poetry, does not dictate a transparent narrative however relatively, quietly gives a fragment, a chunk of a mysteriously acquainted narrative.

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