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We’re launching a series of articles on the subject, written by our summary artists and different qualified contributors. They’ll speak about their very own interpretation of Abstraction, their vision and why they favour it. Look out for ‘What is Abstraction: A journey to Antartica’, by Pierre Auville coming soon. In the meantime, here’s our introductory function. Abstraction isn’t a style or movement; it can exist in all art to a sure diploma. Various dictionaries outline Abstraction as ‘freedom from representational qualities in art’ and ‘not representing issues pictorially’. The Tate describes it as when an artist has both ‘removed (abstracted) components from an object to create a more simplified form’ or produced something which ‘has no source in any respect in exterior reality’. While an artist might have a fantastic read real object in thoughts when painting, that object may be stylised, distorted or exaggerated utilizing colours and textures to speak a feeling, reasonably than produce a replica. It’s extra about how the beauty of shapes and colour can override representational accuracy.

Speak and interact with summary artists. You may often find abstract artists in collective studios or at their artwork exhibits. Take the time to respectfully speak to an artist, especially when you don’t perceive their work. Talking to the artist and getting their perspective could give you a deeper understanding and appreciation of their work.

I would like my work to be stunning, playful and provocative. Some of my paintings are doors, others home windows. They're all portals. "For me ‘abstraction’ shouldn't be an art movement, a moment in art historical past or a mode of painting. It is a crucial integral connector to the vitality of painting. What is extraordinary for me is that as I exit past what I know—past where I'm controlling what I do—to find coherency and form. "I need to precise a sure feeling and emotion by creating a complete environment for the viewer to walk into or observe from afar. I take advantage of supplies in a direct and simple manner, not reworking or altering them greatly from their pure state. "When I am engaged in art making I'm fully caught up within the medium and tools and mission. I’ve discovered to not assume concerning the product that I'll end up with as a result of the time spent engaged within the artistic exercise is what is most important to me. "Abstraction, like poetry, does not dictate a clear narrative but fairly, quietly gives a fragment, a bit of a mysteriously acquainted narrative.

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